Op. 3. ROMANCE varié Pour le Piano
Composed: 1833.
Published: Leipzig: Hofmeister; Paris: Richault, Summer 1833.
Dedication MONSIEUR ROBERT SCHUMANN
Op. 4. VALSES ROMANTIQUES pour le Piano
Composed: 1835.
Published: Leipzig: Whistling, 1835.
Dedication: Madame Emma Eggers née Garlichs
Op. 5. QUATRE Pièces caractéristiques.
(order sheet music)
No. 1, Le Sabbat
No. 2, Caprice á la Boléro
No. 3, Romance
No. 4, Ballet des Revenants
Composed: 1835.
Published: Leipzig: Whistling, 1835 or 1836 with op. 6 as Soirées
musicales. 10 PIÉCES CARACTÉRISTIQUES, (Leipzig: Hofmeister, 1838).
Dedication: Mademoiselle Sophie Kaskel.
Op. 6. Soirées Musicales contenant Toccatina, Ballade,
Nocturne, Polonaise et deux Mazurkas
Composed: 1836.
Published: Leipzig: Hofmeister; Paris: Richault, October
1836.
Dedication: Madame Henriette Voigt.
Op. 7. Premier CONCERT Pour le Piano-Forte avec
accompagnement d' Orchestre (ou de Quintour)
Composed: 1833-1835
Published: Leipzig: Hofmeister; Paris: Richault; Hamburg: A.
Cranz, 1837.
Dedication: Monsieur Louis Spohr.
Op. 8. VARIATIONS de Concert pour le PIANO-FORTE, sur la
Cavatine du Pirate, de Bellini
Composed: 1837.
Published: Vienna: Haslinger, October 1837.
Dedication: Monsieur Adolph Henselt.
Op. 9. Souvenir de Vienne. Impromptu.
Composed: 1838.
Published: Vienna: Diabelli, [1838].
Op. 10. SCHERZO pour le Pianoforte
Composed: Probably 1838.
Published: Leipzig: Breitkopf & Härtel; Paris:
Schonenberger, c. 1838.
Op. 11. Trois ROMANCES pour le PIANO
Composed: 1839.
Published: Vienna: Mechetti; Paris: Richault, 1840.
Dedication: Monsieur Robert Schumann.
Op. 12. ZWÖLF GEDICHTE aus F. Rückert's Liebesfrühling
für Gesang und pianoforte von ROBERT UND CLARA SCHUMANN
Three songs by Clara Schumann:
no. 2, "Er ist gekommen";
no. 4, "Liebst du um Schönheit";
no. 11, "Warum willst du And're fragen?"
Composed: June 8th, 1841.
Published: (in two parts, as op. 37/12): Leipzig: Breitkopf
& Härtel, 1841.
Op. 13. SECHS LIEDER mit Begleitung des Pianoforte
Composed:
No. 1, "Ich stand in dunkeln Träumen" (text by
Heinrich Heine), Christmas 1840.
No. 2, "Sie liebten sich Beide" (text by Heinrich
Heine), June 8th, 1842.
No. 3, "Liebeszauber" ("Die Liebe sass als
Nachtigall," text by Emanuel Geibel), June 8th 1842.
No. 4, "Der Mond kommt still gegangen" (text by
Emanuel Geibel), July 1842.
No. 5, "Ich hab'in deinem Auge" (text by Friedrich
Rückert), June 1843.
No. 6, "Die stille Lotosblume" (text by Emanuel
Geibel), July 1842.
Published: Leipzig: Breitkopf & Härtel, c. 1843.
Dedication: Queen Caroline Amalie of Denmark.
Op. 14. Deuxième SCHERZO pour le Pianoforte
Composed: After 1840.
Published: Leipzig: Breitkopf & Härtel, c. 1843.
Dedication: Queen Caroline Amalie of Denmark.
Op. 15. Quatre pièces FUGITIVES pour le Pianoforte
Composed: Probably 1840-1844.
Published: Leipzig: Breitkopf & Härtel, 1845.
Dedication: Marie Wieck.
Op. 16. III Praeludien und Fugen für das Pianoforte
Composed: 1845.
Published: Leipzig: Breitkopf & Härtel, 1845.
Op. 17. TRIO für Pianoforte, Violine und Violoncello
Composed: 1846
Published: Leipzig: Breitkopf & Härtel, 1847.
Op. 20. VARIATIONEN für das Pianoforte über ein Thema von
Robert Schumann.
Composed: June 1853.
Published: Leipzig: Breitkopf & Härtel, 1854.
Dedication: Robert Schumann.
Op. 21. DREI ROMANZEN für Pianoforte
Composed: 1853.
Published: Leipzig: Breitkopf & Härtel, 1855 or 1856.
Dedication: Johannes Brahms.
Op. 22. DREI ROMANZEN für Pianoforte und Violine
Composed: 1853.
Published: Leipzig: Breitkopf & Härtel, 1855 or 1856.
Dedication: Joseph Joachim.
Op. 23. SECHS LIEDER aus Jucunde von Hermann Rollet
Composed:
No. 1, "Was weinst du, Blümlein?" June 9th, 1853.
No. 2, "An einem lichten Morgen," June 13th 1853.
No. 3, Geheimes Flüstern," June 10th, 1853.
No. 4, "Auf einem grünen Hügel," June 16th, 1853.
No. 5, "Das ist ein Tag," June 21st, 1853.
No. 6, "O Lust, O Lust," June 19th 1853.
Published: Leipzig: Breitkopf & Härtel, 1855 or 1856.
Dedication: Livia Frege.
PUBLISHED WORKS WITHOUT OPUS NUMBERS
Walzer für Gesang und Klavier. Text by Johann Peter Lyser.
Composed: 1834?
Published: In Lyser's Liedersammlung (1834).
Am Strande (also published as "Am Strand"). Text by
Robert Burns.
Composed: Christmas 1840.
Published: Neue Zeitung für Musik, 14(July 1841),
suppl; Leipzig: Schuberth, 1867 or 1868.
Mein Stern ("O du mein Stern"). Text by Friederike
Serre.
Composed: June 1846.
Published (as "O Thou My Star"): London: Wessell:
1848.
Impromptu
Composed: ca. 1844.
Published: in Album du Gaulois (Paris, 1885)
(anthology of piano works by eminent composers published by the journal Le
Gaulois).
Romanze für Clavier
Composed: April 2nd, 1855?
Published: In Clara Schumann, Romantische Klaviermusik,
ed. Franzpeter Goebels, vol. 2 (Heidelberg: Willy Müller, 1977); Clara
Schumann, Drei kleine Klavierstücke, ed. Rosario Marciano, Diletto
Musicale no. 812 (Vienna: Doblinger, 1979).
CADENZAS
Cadenzas (2) for Beethoven Piano Concerto in G Major, op. 58
Composed: 1846.
Published: Leipzig: Rieter-Biedermann, c. 1870.
Cadenza for Beethoven Piano Concerto in C minor, op. 37
Composed: 1868.
Published Leipzig: Rieter-Biedermann, c. 1870.
Cadenzas (2) for Mozart Piano Concerto in D Minor (K. 466)
Composed: Unknown.
Published: Leipzig: Rieter-Biedermann, c. 1891.
UNPUBLISHED WORKS
Songs for Voice and Piano
Der Abendstern. Text by?
Composed?
Volkslied (Es fiel ein Reif in der Frühlingsnacht").
Text by Heinrich Heine.
Composed: Christmas 1840.
Die gute Nacht. Text by Friedrich Rückert.
Composed: June 8th, 1841.
Loreley ("Ich weiss' nicht was soll es bedeuten").
Text by Heinrich Heine.
Composed: June 8th, 1843.
O weh des Scheidens. Text by Friedrich Rückert.
Composed: June 1843.
Beim Abschied (Letzten Abschied). Text by Friederike Serre.
Composed: June 1846.
Drei gemischte Chöre: "Abendfeyer in Venedig,"
"Vorwärts," "Goldoliera." Text by Emanuel Geibel.
Composed: 1848.
Choral Works
Das Veilchen ("Ein Veilchen auf der Wiese stand").
Text by Johann von Goethe.
Composed: July 7th, 1853.
Works for Piano
Etude
Composed: Presumably early 1830s.
Sonatine: Allegro, Scherzo, Adagio, Rondo
Composed: First two movements, 1841; last two movements,
probably January 1842.
Concerto (one incomplete movement only)
Composed: 1847.
Romanze (A minor)
Composed: July 1853.
Marsch
Composed: 1879
Vorspiele
Composed: Improvisations written out probably in 1895.
Präludium and Präludien für Schüler
Composed: Improvisations written out probably in 1895.
Lost works
Alte Heimath. Text by Justinius Kerner.
Composed: 1831.
Comments: A performance on December 13th, 1831 is mentioned
in Clara Schumann's diary.
Der Traum. Text by Christoph August Tiedge
Composed: 1831.
Comments: The song is noted in Clara Schumann's diary,
December 13th, 1831.
Der Wanderer. Text by Justinius Kerner.
Composed: 1831.
Comments: A performance on December 13th, 1831, is mentioned
in Clara Schumann's diary.
Works for Piano
Variationen über ein Original thema
Composed; 1830.
Comments: A performance on November 8th, 1830, of a work with
this title is noted in Clara Schumann's diary. Litzmann includes it in Clara's
Repertoire List for 1830.
Variationen über ein Tyrolerlied
Composed: 1830.
Comments: A performance of a work called simply "Variationen
für Clavier" on October 9th, 1831, is noted in Clara Schumann's diary.
Litzmann includes it in her Repertoire List for 1830.
Phantasie-Variationen über ein Wieck Romanze
Composed: 1831.
Comments: A performance of this work on October 26th, 1831,
is noted in Clara Schumann's diary. The "Wieck Romanze" was probably
the work for "physharmonica" which was featured on several of her
programs between 1830 and 1832.
An Alexis
Composed: 1832.
Comments: In a letter of January 27th, 1832, Wieck wrote that
Clara was composing variations "An Alexis" for performance in Paris (Wieck,
Briefe, 41). The work is also mentioned by Litzmann, 1:57, as one of a
group of smaller works for piano on which she worked in the summer of 1833.
Rondo in H moll
Composed: 1833.
Comments: The completion of a rondo on a theme by Carl
Reissiger is mentioned in Clara Schumann's diary on June 6th, 1833.
Works for Orchestra
Scherzo für Orchestra
Composed: c.1830-1831.
Comments: A performance of this work on May 18th, 1831, is
noted in Clara Schumann's diary.
Note: Several other works are mentioned briefly in the
diary in the years 1828-1838. Because they are cited in such general terms as
"a waltz," "a Scherzo," "lieder," it has not been
possible to identify them.
03/08/08
